Our digital design system is extended into email. Different decisions are made for email as email clients do not render code the same as our web platforms.
Email standards need to take into account different email clients and platforms. For the web, CSS (cascading style sheets) allow us to style HTML on a consistent basis. Unfortunately, not all email clients use CSS the same way. Some don’t even accept CSS. For a full reference of CSS values in email/web, visit:
On this page, we’ll document the ways that email design extends the digital design system based on what can and can’t be done in email clients.
Table of Contents:
Our brand and digital design system uses a serif and a sans-serif, as documented within our overall digital design typography standards. While most email clients do not support webfonts, we have designed for the “best-case” scenario for e-mails so that – in the instances we are allowed – we can best display our brand typographic assets.
We use Lyon (serif) and Graphik (sans-serif) for our webfonts, and Times New Roman and Arial are the default web-safe font for all email clients. Consult Litmus/Email Client Support for more information.
Limited support email clients include:
Our webfonts will appear stylized on the above email clients. On any other email clients, the default web-safe fongs will be used.
Font Family | Universal Support? | Limited Support? | Backup |
---|---|---|---|
Graphik Semibold | no | yes | Arial font-weight: bold (700) |
Graphik Regular | no | yes | Arial font-weight: regular (400) |
Lyon Display | no | yes | Times New Roman font-weight: bold (700) |
Take a look at how one module (the Featured Callout Module – which uses Fira Mono and Neue Haas Grotesk) would appear on all email clients that did not accept the webfont property. As you can see, the module still looks properly branded. To the untrained eye, this still has a well-branded visual aesthetic.
Do not deviate from the below specifications. Typography must be consistent. Do not use other colors for typography.
Fonts can be updated based on local language requirements.
Currently we have defined standard (web-safe) font replacements for: Korea, Japan, China, Taiwan.
Location | Font Family Name |
---|---|
China | Microsoft YaHei |
Taiwan | Microsoft JhenHei |
Korea | Malgun Gothic |
Japan | Meiryo UI |
Default, non-branded | Arial |
Contact the Brand Central Help Desk for additonal culture needs. They will route you to the proper design team representative.
As a reminder, imagery is designed to be complementary to text. It should not contain important information that is not also found within HTML text. In the few cases where text needs to be in the image, ensure that the alt attribute has information conveying what the image is conveying (accessibility considerations).
All imagery within emails is standardized into two dimensions (16:10 ratio, 1:1 ratio) with very few exceptions, which are noted within specific modules. Always optimize your imagery for digital purposes. Make the image as small as possible while retaining the quality of the image. This helps with performance and provides a better experience.
Emails can contain the following types of imagery, which should always be on-brand.
Review Marketo Email Assets to evaluate imagery assets that you can incorporate into your emails.
The presentation of links and buttons in e-mail should be consistent and well-branded, and should take into account specific needs for contrast and legibility across various platforms, screens, and devices.
See above the Typography section for specific typographic styles for links. Also, see specific documentation on how to ensure link consistency within modules, including ensuring the chevron is used consistently.
All links must:
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code if needed) if a standalone link as part of an unordered listAll buttons should:
The key to a good (email) design is adherence to design guidelines and the proper amount of spacing between content.
When spacing is inconsistent, it is hard for a user to process “sections” of content. Images, text, and other elements “spill together” and create clutter.
When spacing is consistently applied, the email will have a positive effect on the user. Be careful to use the correct amount of spacing. Too much, and the user will be discouraged. Too little, and the content will be hard to read.
Try to apply spacing in a consistent manner.
Refer also to the spacer module documentation.
There should be 40px of space total between main modules, and 30px of space in between modules of similar characteristics. So, for example, if you are using multiple Icon + Text (Small) modules, you would ensure 40px of space above the first element, 30px in between the Icon + Text modules themselves, and 40px below when you have finished using all of the modules that you plan on using.
In the example below, note the build of a series of components. Yellow denotes Marketo modules, blue denotes spacer distance, and magenta denotes space incorporated within a module. On the left, the design. On the right, the design as constructed with Marketo modules and spaces.
A simple way to ensure that you’re following spacing guidelines is to add up the top + bottom spacing of adjoining elements. If module A and module B are stacked:
Color usage is documented extensively in this guide. a
When designing an email, keep in mind that many users will lose interest after 5-9 elements/options to choose from. While this is not a firm rule, keep in mind that your communications should be succinct. The more content you include in your emails, the less likely it is that a user will feel like they are receiving valuable content.
If, for example, you have a newsletter that has 10-12 articles for that month/quarter, consider using text-only options to display the content. That way the “volume” of content seems more digestible to the user – as opposed to providing images for each of the 12 options. Since our images are decorative in nature (e.g. if they were not present, the content is still easily processed by the user), simplification is the best approach.
Take care to use enough negative/white space to allow the user’s eye a chance to rest.
Example: Don’t juxtapose large card elements Try not to juxtapose large card elements, as the visuals could be too strong and could actually create too much clutter. Instead, alternate elements that use background colors and those that don’t, in order to create visual distinction and offer the eye a chance to “rest.”
Example: Break up your content visually, especially if you have 9+ articles. If you have more than 9 articles/pieces of content to feature, either consider sending separate emails, or use less-visually dominant modules.
Example: It’s okay to use one singular dominant card in a simple email. If you have only one article to feature, you can break the “65%” rule, and you can have an email that is dominant with a background image. An example of that would be a Survey w/ an opt-out message.
The overall canvas (the area outside of the email body) must always be white (#fff). This is pre-set as a global variable and should not be changed.
This is not simply a design/branding requirement. This ensures that the email, when forwarded, does not retain a background that makes text harder to read.
You can use background colors within the modules that delineate background color options (e.g. the call-to-action button, full card, half card, and two column w/ icons. You must use them as directed, with the options provided.
For individual component/module design, reference Email Design Modules.